Although coursework varies from one school to another, additional classes to delve into that are also found in most graphic design programs include typography, environmental and exhibition design, and publication design. Due to the collaborative nature and marketing aspect of the work, you can increase your marketability by completing courses in business administration, marketing, and writing. If you are still in high school, it’s in your best interest to take introductory level art and design classes if your school offers them. This is because many colleges require a minimum of one year of basic art classes before admitting students into a graphic design program. Many colleges require students to submit several sketches and other types of artwork as part of the admissions process. As you evaluate potential college degree programs, look for a school that provides you the opportunity to build your professional portfolio while still a student. This gives you a competitive edge because employers evaluate the contents of your portfolio when determining whether to hire you. In fact, it often holds more weight than all of your other credentials. Of course, keep in mind that the kind of job a designer has his or her eyes set on will probably determine whether or not a degree is necessary. If a designer is opting to freelance, a degree may or may not be necessary, as a body of work and strong portfolio are usually all that matters. However, if a designer is planning to enter the corporate world, a large company or in house design team, or work for many most advertising agencies, a degree will prove beneficial, and many employers in these settings will require a designer to have a degree.
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Balsan then helped her to open a millinery and apparel shop on the ground floor of his apartment in Paris in 1909, the beginnings of what later would become one of the greatest fashion empires in the world. In 1913, she left Etienne Balsan, and joined hands with millionaire British industrialist Arthur Cappel, Balsan's former best friend, with whom she fell in love, a relationship that was described as a true love relationship, out of the many affairs she had with men during her lifetime, but unfortunately ended up in tragedy, when Cappel died in car accident in December 1919. Cappel provided her the financial backing to expand her business activities. In 1913, Cappel sponsored the establishment of a millinery and women's fashion house in Paris, that was followed by two additional boutiques in the coastal towns of Deauville in 1913 and Biarritz in 1916. During World War I, she opened another large boutique on Rue de Cambon, opposite the Hotel Ritz, Paris. The hats sold in her millinery shops were snapped up by women of the elitist society in Paris, and also worn by celebrated French actresses, that helped to establish her reputation.